Printcrime

Description

Introduction to Printcrime by Cory Doctorow:

“Printcrime came out of a discussion I had with a friend who’d been to hear a spokesman for the British recording industry talk about the future of “intellectual property.” The record exec opined the recording industry’s great and hysterical spasm would form the template for a never-ending series of spasms as 3D printers, fabricators and rapid prototypers laid waste to every industry that relied on trademarks or patents. My friend thought that, as kinky as this was, it did show a fair amount of foresight, coming as it did from the notoriously technosqueamish record industry. I was less impressed. It’s almost certainly true that control over the production of trademarked and patented objects will diminish over the coming years of object-on-demand printing, but to focus on 3D printers’ impact on trademarks is a stupendously weird idea. It’s as if the railroad were looming on the horizon, and the most visionary thing the futurists of the day can think of to say about it is that these iron horses will have a disastrous effect on the hardworking manufacturers of oat-bags for horses. It’s true, as far as it goes, but it’s so tunnel-visioned as to be practically blind. When Nature magazine asked me if I’d write a short-short story for their back-page, I told them I’d do it, then went home, sat down on the bed and banged this one out. They bought it the next morning, and we were in business.”